Production photos

Robert Peate, photographer and actor in the hyperdrama (see Robert's Story and also his online gallery), took these production photos during our shoot. It's astounding to see how small a camera we use! Somehow it feels "larger" when I actually use it.

A busy day

Working in the yard; practicing piano; hyperdrama grunt work. Never did get to the screenplay, though. I'm going to try and focus on it tomorrow -- and finish the new draft.

I decided to stick with YouTube regarding the branching narrative clips. I thought about embedding them from my archive but why take up the space when YouTube will and the embedding is easier to code? This decided, the rest of the grunt work should zip along.

I'm delighted with the work I did in Finale early this morning. Only two weeks into the class and I've learned a ton. I already know enough to make a perfect lead sheet.

Finale class

It's always been a struggle for me to input lyrics into Finale because I learned how to do it, like most things in the program, the "wrong" way -- which is to say, a simple way but one which does not take advantage of the software's real power. The beauty of this class is learning how the Finale tools work and how to engage the real power of the program. Thus, I just input lyrics to our class project (next week's activity) in about five minutes! I couldn't believe it. Earlier I had inputted chords. This class is just perfect for me right now. What a loss if I had not taken it.

What am I doing up at 4 a.m., working in Finale? Being myself ha ha.

Spring

Today felt like the first day of Spring. While not exactly warm, at least it wasn't cold. The sun stayed out. Tomorrow is supposed to be even better, and I hope to spend some time with my wonderful Scott push mower.

Getting a second wind for the grunt work of assembling the branching narrative clips. I'll use the character videos as resource. Interesting thing about editing: the challenge always seems to be how to edit around errors, either technical or acting. For example, Holly decided to name her character Heidi, not Holly. Some of the actors called her both at different times. Usually I could edit lines using Holly out. However, in one essential monologue, Holly was used and I went into the sound wave and chopped out a bit in the middle and managed to get something sounding like Heidi with a British accent! Fascinating ha ha. I don't think any of the character videos got by without editing around some mistake or other. Nature of the beast.

What is missing in film hyperdrama, compared to live performance, is any sense of counterpoint. In live performance, I love the playing of scenes against one another when I am standing between them.

Peeking ahead at the Finale class, we have some heavyweight work ahead. We add more instrument parts -- bass, drum, jazz quartet -- and arrange them. I wonder if I'll be able to keep up. And I am not the slowest one in the class so far either, thanks to my good computer skills. It will be interesting how many keep up to speed.

Actually I feel like I'm getting two classes for the price of one. In the MIDI lab, I work on a Mac using the 2007 version of Finale. At home, a PC with 2008. So I have two learning curves.

as long as you and i have arms and lips which are for kissing and to sing with
who cares if some oneeyed sonofabitch invents an instrument to measure Spring with

--e.e. cummings

Friday and the weekend

Good weather ahead, if the forecasters are right. I hope they are. I'd like to spend some time outside Saturday catching up on lawn chores. I also have catching up to do on the splay rewrite and editing the new review.

A smashing First Wednesday scheduled in the fall, with Primus St. John, Craig Lesley and Julie Mae Madsen all on the same bill in October. Many good writers coming before then, of course. Here is the May 7 lineup.

Music/piano this morning, catching up before class. Lunch afterwards at the Corbett Fish House. Maybe some grunt work on the hyperdrama this afternoon. The next step requires more organization and assembly and web page editing than anything else. But I still have the last "nuts and bolts" video to do, the challenge of which is to write an interesting, short narration for the piece. Then we'll be done! I may try to get a computer room at the university to show my students and colleagues the results.

Busy and well. H returns tomorrow night. The house looks like a bachelor lives here, especially the kitchen.

Hyperdrama: Dennis' Story

Here is a link to all 7 character-path videos. Next to edit, the various branching narrative options.

An extraordinary course

My Wednesday night class in Finale, taught by composer Jon Newton, is first rate. I am learning a ton. I should come out of this in good shape for using the music composition software as a "power user." The class has already changed the way I use the software, and for the better.

We seem to be "stuck" in Music Theory until the class gets to seventh-chord speed before the teacher thinks we're ready to move forward.

A bit of prep before school today. I may get started on editing my last character video.

Freebies

A couple of great resources:

• Free classical music files and sheet music.
• Free quality images.
  

Thanks to Ed and Engels at muvipix.com for the links.

Stir crazy

I've spent so many of the last 60 hours editing video on the computer that early this morning I reached critical mass. I had to get out of the house -- immediately! My first inclination was to grab Sketch, our rat terrier, and head up the gorge to a park along the Columbia River and mellow out. But it was cold and drizzly outside and Sketch was hunkered down under his security blanket. No way was he going outside! Alternative plan. Breakfast at Nobby's, where maybe I'd run into someone I knew. Great idea! The owner himself was at the grill, and we caught up on news and rumors, including good news about a regular from the 80s who hasn't had good news in a long time. Before my breakfast was served, I called my former muse to catch up, and we made a lunch date for Monday. I then returned home with renewed energy.

Hyperdrama: Kate's Story

Office hours

Managed to finish and upload the "John's Story" video this morning. And also managed to get ready for my class. Now some time on my hands. When students aren't here, I hope to catch up on music theory things. A busy class week, this. And I'm really looking forward to Finale class tomorrow.

Hyperdrama: John's Story

May you live in interesting times

clipped from news.yahoo.com Olympic torch relay descends into chaos PARIS - Paris' Olympic torch relay descended into chaos Monday, with protesters scaling the Eiffel Tower, grabbing for the flame and forcing security officials to repeatedly snuff out the torch and transport it by bus past demonstrators yelling "Free Tibet!" The relentless anti-Chinese demonstrations ignited across the capital with unexpected power and ingenuity, foiling 3,000 police officers deployed on motorcycles, in jogging gear and even inline skates. Chinese organizers finally gave up on the relay, canceling the last third of what China had hoped would be a joyous jog by torch-bearing VIPs past some of Paris' most famous landmarks.

March madness

The men's final was exciting. Memphis blew a 9 pt. lead with 2 mins. left by an inability to hit clutch free throws, then got blown out in overtime. Quite a comeback by Kansas -- the team that beat PSU on the tourny's first day.

Lots of minor glitches -- continuity things mainly -- in the videos but they are great for my purposes at the conference. You really need a staff to do this right ha ha. I have four character narratives done, three to go, then all the other stuff. Onward.

Waiting for a second wind

Once again. Did too much editing today, I think. Exhausting work. I still have some things I need to do before class tomorrow.

Hyperdrama: Judith's Story

Hyperdrama: Bobby's Story

Post-shoot

A good day of shooting video. I should have everything I need now to finish the hyperdrama project. Just a lot of hours of editing.

Even managed to get home in time to see Stanford beat Connecticut in women's bb. Go, west coast!

Tomorrow I'll start editing. I'd like to finish one or two character videos before I go to class Tuesday.

Final shoot

Today, barring the unforeseen, I should finish shooting the hyperdrama. I'm eager to get back to editing. I want to finish up the 7 character narratives as quickly as possible so I can get to the more difficult task of assembling the branching narrative.
This surely will keep me busy through April into May.

Disappointing day

Did a little work on the splay, a little work on piano -- but it's been a slow, disappointing day for the most part. Tomorrow I shoot, which will give me a lot of editing to do.

It just ain't the same

For many years, a weekend ritual was to listen to Dr. Jazz's Dixieland radio show on Saturday and Sunday mornings. Then he (Bill Fetsch) died (ref). A local legend. How would he be replaced? I was among those who hoped against hope that the radio station KMHD would have the good sense to play tapes and keep the show alive. Fetsch had one of those warm radio personalities that made you think he was sitting across the breakfast table. Obviously he couldn't be replaced.

But the radio station tried. It's a college station, and they replaced Dr. Jazz with a series of earnest young men. What they had in common were wooden personalities. Everything they said sounded like a poor reading -- and they talked to much, trying to be informative and personable, which in fact just made it worse. They were as wooden as any DJs in America. This was at a college, for Chrissake, couldn't they send these young men off to take an acting class?

Today the Saturday DJ who settled into the job, young and earnest and very wooden, called himself Dr. Jazz. What bad taste. Sacrilegious, in fact, an insult to the memory of the "real" Dr. Jazz.

The show now depends on how much these wooden DJs talk. The less, the better. Unfortunately, in their earnestness, they talk a hell of a lot.

Piano

A piano morning, practicing before class. Tomorrow I need to do more editing on the review and also look at a student script. Sunday the final shoot for the hyperdrama. A busy weekend, which is good. Even have some basketball games to watch along the way.

H caught the red-eye last night and should be in Florida now, meeting her girlfriend and hopping the cruise ship tomorrow.

Lazy students

Man, my fellow students in Music Theory were braindead today, as if no one had studied the material over spring break. Class really dragged as a result. Eager to get moving into new material.

Baching it

H flies off tonight for a week-long cruise in the Caribbean to celebrate a girlfriend's 75th birthday. Meanwhile, still high from the class last night. And eager to finish shooting footage for the hyperdrama on Sunday. Maybe I can get the 7 character videos finished before H gets back. That will give me the rest of the month to do the biggie, the "true" hyperdrama with the viewer deciding on the narrative path.

Reviewing music theory things before the class at one. Then off to campus. Busy, busy.

Fantastic night

I can tell, from only the first class, that my Finale workshop will be outstanding. I'm already learning a ton of "shortcuts" and theory about the software I didn't know. This is exciting. Looking over the syllabus, I see this is just what I wanted it to be. And Jon Newton is a fine teacher (I already knew he was a fine composer.)

From class to First Wednesday to find the largest audience we've had yet. Everyone was beaming with that "successful event" look. Craig Lesley was there and wants to read, which is great. So was Doug Spangle. I think the word-of-mouth is getting out that this is a cool venue.

Music Theory starts up again today, Piano tomorrow, so we're getting into high gear. What a busy term! That's fine by me.

Waiting for a second wind

Put on my editor's cap and worked on the review for a few hours. Did some piano work. Now I need a second wind before my first night of Finale class, after which I rush to the last half of First Wednesday readings. Tomorrow is an easy day in class, thank the gods.

Thinking of tomorrow

On the agenda tomorrow, getting back to the screenplay, hopefully finishing the next draft with the "bigger" ending. Also need to put in time at the piano. Nothing to do with video tomorrow, however, and too early to worry about student work. If the sun is out, maybe I can even fit in some lawn chores time. I'm ready for spring, and I don't mean spring snow showers. The sun, the sun! Famous last lines, right? Ibsen's "Ghosts."

Thinking of summer

I know I want to move music front burner this summer and start composing a music drama, or something music-based. But I also enjoy working with these actors so much, I hope to think of another small project to do with them. Something unusual -- even more unusual than hyperdrama. I was even thinking of a black and white silent comedy! And speeding up the frames etc. That might be real fun. A black and white silent comedy! Hmm. That certainly would be good training in visual comedy. I must give this serious thought.

In my office

Ah, my comfy little office at the U. Actually it's nice to be back in my normal routine. Teaching is not an interruption of my "real work," as shit jobs can be, but a welcome break from it. I need to be led out of the basement from time to time ha ha.

Eager for Sunday and the final shoot. I'll spend time Saturday making sure I have all the bases covered. I received an email from the hypertext conference, my official "acceptance" for the hyperdrama project. This is great fun putting together, though also a ton of work. The real work will be the "audience choice" narrative sequence. These character stories are relatively easy in comparison. On the other hand, I think they'll be a way to slice up the character stories to make it somewhat easy to assemble the "real" hyperdrama package, the one in which each view selects the narrative path. There will be so many branches and paths, is the deal, so it's as much an organizational challenge as any. By that stage, it will be more grunt work than creative work. The creative work goes into the individual stories. When it's done, this will be quite a presentation, I think. And, of course, I still have the "nuts and bolts" video to do.

I have a longer than usual waiting list for my screenwriting class. I hope they don't all show up or it will be a zoo. Today is introductory stuff, Thursday we hit the ground running, watching CASABLANCA, mainly as an example of beginning-middle-end storytelling strategy.

Had a long chat with Phyllis Kerns, my 85-year-old writer friend who has become blind to reading text (but who still drives!). She's looking for a collaborator with whom to do a play about Victoria Woodhull, a return to her favorite material. Her screenplay about Woodhull, which I read decades ago, was my introduction to this remarkable woman, who ran for President in 1872 and was a hell of a lot more interesting than H.C. I should do a video interview with Phyl for the journal.

Hyperdrama: Heidi's Story

Progress

Finished editing "Heidi's Story" in the hyperdrama. Will post online later this morning.

Now to get ready for the first day of class.

Opening day

And the Mariners, who had a lousy spring season, win!

Here's one of the few things I've ever written about baseball, published almost 40 years ago, The Last Slow Dance.

Hyperdrama: Robert's Story

1 of 7 parallel narratives in the CHANGING KEY hyperdrama. A developing project at Changing Key website.

Editing

A good shoot yesterday, thanks to my fine cast. Finished footage on 2 of the 7 parallel stories, so am editing today. One finished. Will post online later today.

Classes start tomorrow. Looking forward to the new term.

Sunday shoot

Back to shooting video this afternoon. Forecast says possible snow and hail, which will be interesting since I have exterior shots I hope to do. We'll see how it goes.

Collaborating with my agent

Phone calls and email exchanges with my agent, as we wrote a revised synopsis of The Brazen Wing that focuses on the kid more, prior to the presentation to the teen actor (who is managed by mom). So we'll see how it goes. Meanwhile, I'm ready to write the new ending of Taking Stock as soon as I can find the time.

Blogging from the beach

Nice to get away for a few days. Even nicer to return.

Notes from the beach:

TUES. We have a room at the beach, right on the Promendade in Seaside, view of the ocean, no traffic sounds, nice. Be here for R&R until Friday. Early anniversary present to ourselves. H brought her laptop, there's wireless here, but if I check my email, I think I'll use the Internet Cafe up the way, more of an adventure. Been raining hard, a little break now, but the forecasts is for lots of rain, which is fine. Nothing wrong with staring out at the bad weather from a warm room.

WED. Sketkch, our rat terrier, got me up at 3 a.m. for a pleasant walk on the beach while he searched for a place to do his business. It wasn't raining, wasn't even too cold, actually a nice moment. Then we repeated the game at 730 and I went on to get a cup of coffee at a local cafe. Nothing planned for today, which is great! A little writing and reading and walking and brooding. I'm not completely unwired: I found an Internet cafe where I can check email. I waiting for a room change from the university, need to check in in case there's a hassle.

*

Back from a walk. I love beach towns. At various times, I've lived in Santa Monica, Pacific Palisades and Monterey, all in California. I've always wanted to live in Venice, right on the boardwalk. On any beach town boardwalk, for that matter, smack in the middle of its summer people-watching splendor and winter ghostliness. When I was going to UCLA, I knew the owner of a Santa Monica bar on the beach and spent many "after hours" there, sometimes until sunrise. Ah, the wildness of our youth.

I spent a great week in Benidorm, Spain, in the early 60s before it became part of the Spanish riviera. Construction going on everywhere at the time.

There's something about living next to the ocean that focuses my perspective on our cosmic smallness. Not a bad thing to rememberj.

*

Wild weather at the beach! Earlier this afternoon it snowed. Didn't stick long. Now the wind is blowing like hell.

*

The temperature here has dropped into the 30s. Not Spring break weather at all.

THURS. In a hail storm and sunshine simultaneously this morning. This strange coastal spring weather.

I think this afternoon I'll try and do a complete sequence outline of the NEXT screenplay. I took notes on the current one, the bigger ending, so I can get right on it when we return. I am eager to return, actually. I am happiest in my routine, to my wife's chagrin. I'm not the best traveling partner as a result.

UCLA plays Western Kentucky tonight. Something to look forward to! I worry about the SI jinx and the inconsistent Bruins.

No word on whether I get a room change. Be a big hassle if I don't.

I have music buzzing in my head. This summer I'll see if I can become a composer.

Weather

So I'm walking the dog on the beach, the sun is shining through clouds -- and it starts hailing. Go figure.

Screenwriting joke

This young starlet decided she was going to sleep her way to the top. Unfortunately she didn't have a clue. She slept with a screenwriter.

Unwired

Now and again I like to unplug for a few days and shake out the cyber-cobwebs. This is one of those times. I'll return in a few.

1957

clipped from www.todayinliterature.com Howl Heard in Court On this day in 1957, U.S. Customs agents seized 520 copies of Allen Ginsberg's Howl on the grounds of obscenity. Ginsberg and his lawyers were not hopeful when they learned that the trial judge was a Sunday school teacher who had recently sentenced five shoplifters to a screening of The Ten Commandments, but the ruling was unequivocally for the poem.

Taking Stock

This is the romantic thriller I've been working on. Trying to get the rewrite done today so I can print it out and spend some time with it during my week off.

BIAB sample song

Here's a sample song created totally by Band In A Box, from style and structure choices decided by myself: BIAB song.

Do it yourself

An honorable tradition, though as with anything else, applications of genius are rare.

clipped from www.todayinliterature.com The Woolfs and the Press On this day in 1917 Leonard and Virginia Woolf purchased a small, used handpress; a month later, it was delivered to Hogarth House, their West London home, and the Hogarth Press was born. Over the next three decades the Woolfs would publish 525 titles, many of them by other influential modernists -- Mansfield, Forster, Eliot -- and most of them collector's items today. In 1917 Virginia Woolf was not long out of a third mental breakdown, this one prolonged and severe, and Leonard thought that book publishing might be a therapeutic hobby. Whatever its therapeutic or historic value, the Hogarth Press allowed Virginia Woolf to experiment with her kind of writing. It also saved her from the loathsome prospect of having to take another book to Duckworth Publishing, run by the stepbrothers who sexually abused her.

Tristan and Isolde again

OK, seeing High Definition video on a large screen is the next best thing to being there -- and even has advantages. It was great to see the singers close. I never realized, from watching live opera "from a distance," what good actors so many of them are. Also, during intermissions there were interviews with major singers, the conductor, the videographer, tech people, casting people (who said there are only 10 men in the world today who can sing Tristan!). This gave an inside view of something of a production challenge: rampant illnesses in the cast. For example, in the last four performances, Isolde sang opposite four different men playing Tristan. She had no rehearsal time with any but the scheduled lead. The one this afternoon had just flown in from Berlin. The Isolde actress talked about playing a love scene with a man with whom you not only never rehearsed but never even met! Well, everything went off flawlessly. The only criticism I have of this magnificent production and experience is that the video director got carried away with her split screens now and again, letting form conquer content and getting too artsy-fartsy for her own good.

If you get a chance to see opera on HD, don't pass up the opportunity.

Something else I love about this opera: no breaks in the action. No music breaks where an enthusiastic audience can interrupt the narrative with applause and "Bravos." No opportunity to turn the opera into a social event. Just continuous, unrelenting, accumulating, devastating music!

I did my UCLA English honors thesis on E. A. Robinson's "Arthurian Cycle," three book-length poems (Lancelot, Merlin, Tristram). Time to read his version of Tristan/Tristram again, and I just ordered it via inter-university loan.

The short answer

The live HD simulcast of the Met's Tristan and Isolde today (5.5 hours of the day!) was an extraodinary experience, in some ways a more emotional opera experience than seeing Mahagonny in L.A. More later. I'm in my office, a quick stop before meeting Idaho friends downtown.

But I highly, highly recommend the Met's HD simulcasts. And this opera, well, I wept at the end as I always do. ("Wouldn't it be nice if ...")

Busy, busy

Very busy the next three days. Today's goal is to get all my grades in, which means finishing up the finals, of course. If I can accomplish this, I don't have to accomplish anything else (except watch some tourny basketball on the side).

Tomorrow is the opera. I've never seen an opera this long; listening to Tristan and Isolde, I've done it in segments. After the opera, I arranged to have coffee with my Idaho friends in town. Not sure what effect an almost six-hour opera will have on me, but we'll find out.

Sunday is the shoot. I have a full morning of prep work, then the shoot itself.

Monday I take a breather!

Today my Band In the Box is scheduled for delivery. Maybe I'll have time to play a little with it tonight. First chore with it is to create music themes for the hyperdrama characters (I have two from net sources).

Busy, busy.

Better late than ...

Well, the NYTimes finally discovered The Flip, the camcorder I use to shoot my videos. Sunday shoot on the hyperdrama again, the 2nd of 3 consecutive Sundays.

clipped from www.nytimes.com Camcorder Brings Zen to the Shoot By DAVID POGUE Well, this is a little embarrassing. One of the most significant electronics products of the year slipped into the market, became a mega-hit, changed its industry -- and I haven't reviewed it yet. It's the Flip: a tiny, stripped-down video recorder the size of a digital camera (but you hold it vertically). And in the year since its invention, it has taken 13 percent of the camcorder market, according to its maker, Pure Digital. The latest model, called the Flip Ultra, had its debut six months ago with slightly improved video quality, greater capacity, a tripod mount and better looks (available in white, black, orange, pink and green). It's been the best-selling camcorder on Amazon.com since the day of its debut.

Portland State v. Kansas

The Big Dance

The tournament begins today! Playing today are Portland State, Stanford, Washington State, UCLA, teams to root for. Oregon plays tomorrow.

The video I'm making about the Portland State game is to enter in a two-minute contest, so it's a real editing challenge. Doing it for the experience, don't really expect to win anything. The contest is at a video forum where I hang out. I have a forty-second start that is pretty effective, I think, leaving me 80 seconds to cover the game. I'll be at the campus showing, where I expect to get lots of fan shots and noise; and I'm taping the game here, where I hope to get some game shots. I found a great sound track, the PSU fight song (which is to the same tune as an Ohio State one, which is far easier to find) performed by the Air Force band. Have good headlines and stills. Now to get good video.

After that, back home to watch afternoon games and finish grading finals. I'll wrap the latter up tomorrow and hopefully get my grades in then. Also tomorrow, Band In A Box is scheduled to arrive, giving me a great tool for my video hyperdrama. An opera on Saturday, a shoot on Sunday. How did I get so goddamn busy?

What a concept

You mean, knowledge is useful? What a concept. Might be too difficult for the government, though.

clipped from seattletimes.nwsource.com UW researchers say comprehensive sex ed cuts teen pregnancies By Kyung M. Song Students who receive comprehensive sex education are half as likely to become teen parents as those who get none or abstinence-only sex education, according to researchers at the University of Washington. What's more, teens who had comprehensive education, which typically discusses condoms and birth-control methods as well as abstinence, were no more likely to engage in intercourse than peers who were taught just to say no to sex before marriage, researchers said. The study is the first time researchers have taken a national sampling of teenagers to compare the effectiveness of the two approaches to sex education. And it echoes other studies that have previously suggested that the federal government's decadelong promotion of an abstinence-only curriculum isn't deterring young people from having sex.

This and that

Graded about 3/4 of the finals. Then off on errands, so I swung over to the theater to pick up my Saturday opera ticket. The ticket lady said these simulcast HD operas are usually sold out -- but this one still had 40% vacancy. The 5.5 hour length, no doubt. Actually I prefer a less than full house, more room to stretch out in.

Got a notice that my Band In A Box is in the mail. I'll be using it a lot for the hyperdrama and also this summer. Eager to get it and get up to speed.

Busy, busy, busy. Friends in town from Idaho on a tight schedule, not sure we'll even find common time to have coffee.

Whiplash

Came up with new ending for the splay, which even I see is better. Best, it comes logically out of what is already there. A very nice surprising reversal in act three and increased jeopardy in the final chase scenes. My agent is busy with pitching the other splay this week but when he has a moment, I think he may like this. We'll see. I'm glad it's my idea ha ha.

Thank you, Zelda.

Another classic that came out as a failure. There are a lot of them. They give failures hope everywhere ha ha.

clipped from www.todayinliterature.com Not So Great Gatsby Titles On this day in 1924, feeling that he had finally found the ideal title for his new novel, F. Scott Fitzgerald enthusiastically wired his editor, Max Perkins, that he was "CRAZY ABOUT TITLE UNDER THE RED WHITE AND BLUE...." Already abandoned titles had included "The High Bouncing Lover," "Among the Ash Heaps," and most recently, "Trimalchio." Not as crazy as her husband about these, Zelda (and Perkins) eventually talked him into The Great Gatsby. "Under the Red, White and Blue" would have at least suggested the decline and fall of a later empire, but by any name the book did not sell when it came out in 1925. In 1927, Fitzgerald received only $153 in royalties; two years after that only $32; by the last year of his life, 1940, second-printing copies of Gatsby were still unsold, and all his books brought in only $13.13.

Agent followup

Agent getting ready to pitch the producer looking for a role for the teenager ... meanwhile, the script is at two other prodcos, there long enough to show initial interest. Maybe something will happen. Maybe it won't. Best thing for me to do is just state my cooperation, which I have, and forget it and stay focused on my projects. Early in my career, something like this could distract me for weeks, until it was resolved. I learned what wasted energy that is. What happens, happens. You do what you're doing now and let what you did in the past take care of itself. My agent says he has his fingers crossed, and I must admit, mine are, too. Now onward to something else.

Did some more editing this morning. Now it's time to look at the finals.

One Page Screenplay Competition

The rules are simple. $10 entry fee.

It CAN be done

If the miracle happens and PSU beats Kansas (ha ha), they wouldn't be the first. The first men's team but not the first.

Harvard over Stanford! No less improbable.

clipped from sports.yahoo.com No. 16 Harvard over No. 1 Stanford still resonates 10 years later By JOSH DUBOW, AP Sports Writer 12 hours, 7 minutes ago STANFORD, Calif. (AP)—Whether it’s in a bar, a job interview, or just walking down the street, the reaction is similar for members of the 1998 Harvard women’s basketball team. Just the mention of being a former Crimson basketball player inevitably leads to this question: “Were you on THAT team?” As many fans filling out their tournament brackets this week know, a No. 16 seed just doesn’t have much of a chance at beating a No. 1. That matchup has happened 148 times in either the men’s or women’s tournament, and the 1998 Harvard team remains the only one to pull that most improbable feat, beating Stanford 71-67 at Maples Pavilion in a game that still resonates for members of both teams 10 years later.

News from my agent

Good news on two fronts from my agent.

• He likes the rewrite. Wants more "whiplash" in the ending, will be sending suggestions.
• The agency has been in contact with a producer wanting a role for a 15 y/o actor, and we are suggesting my script, The Brazen Wing. I agreed to do any revisions they might want. Man, I hope this shakes out.

All this a good kick in the pants to get back on the new splay. I have the one after this in mind now, too, back to what I stalled on at midpoint some time back. Despite all my other projects, can't forget my fine agent and giving him stuff to work with.

Wednesday is read finals day. I actually look forward to it. An essay question.

Might get my grades in tomorrow. That would be something.

Then I'll try to make a short video about the Vikings trip to the Big Dance. There's a two-minute contest I could enter with a March 31 deadline.

UCLA's year?

I'd love my Bruins (undergrad alma mater) to go all the way at the Big Dance, but the fact that every Sports Illustrated "expert" picks them to do just this makes me very nervous. The experts are never all right. So my prediction is: the Bruins will trip along the way. This is the SI curse. Damn magazine.

In the office

Ah, my last office hours of the term. Expecting one of my graduate students so we can touch base on her thesis screenplay, which is in great shape at the midpoint.

In a couple hours, pick up finals and go home. I'll catch the end of the first NCAA game, to see which team gets the 64th spot and gets to play NC ha ha.

The more i think about it, the more I want to see the PSU game here. I think I'll shoot a video about the experience.

Editing

Finished student projects early, so I managed to do two edits of a one-minute scene, taking the pov of each of the 2 characters. Fun to be back at it! Bad news, one clip was apparently "damaged," no clue why, just hope it's a rare problem. But it was an important clip, meant I had to edit one of the scenes differently than I would have otherwise. Ah, reality 101!

Off to campus to pick up final exams. I always give a take-home.

Janna Levin

One of my favorite scientists has started a series of podcasts on the cosmos. Check out the first episode. Her books are first rate, including a memoir and a novel. An extraordinary talent.

School spirit

Thursday morning's David-Goliath NCAA opener between PSU and Kansas is being celebrated and shown on a big screen on campus. This is a big deal, whatever the odds. So big I think I'll watch the game on campus instead of at home, just to witness the rare event. May even take my camera to record it.

Moral victory?

The local paper says PSU will win a moral victory if the team stays within 20 pts. of Kansas. The game starts Thurs. morning at 930.

A day for students

As much as I'd like to start editing the clips I shot yesterday, school isn't done yet. I have a tall stack of script projects to read, which I hope to get through today. Tomorrow I pick up their finals. So it may be Friday or even the weekend before I have time to start editing.

Next week we celebrate our tenth anniversary, conveniently during Spring break, with a few days at the coast. Looking forward to it.

Elated, exhausted

A good shoot! First look at the clips look great, too.

Portland State gets no respect: a 16th seed at the Big Dance, face Kansas. Kansas! Oh my.

Pre-shoot prep

Looked at the scenes I'm shooting today, doodled on the script for blocking, camera angles, etc, so I don't have to start from scratch on the spot. We'll go with the flow, of course. Changing one kitchen scene to somewhere else in the condo for variety. Need to decide on a couple exterior locations on the road, away from the condo. Will leave early so I can do some scouting.

Big day

Today begins the first of three Sunday afternoons shooting the hyperdrama. Two hours of interior scenes followed by two or three hours of exteriors today. I'll spend some time this morning figuring out how I'm going to shoot.

I got a start yesterday on reading student projects. I need to return them Tuesday, so there's much to do yet -- a full day tomorrow on it.

Tristan and Isolde

Just bought my ticket for next Saturday's Met HD simulcast, a 5.5 hour opera mega-event! I can't wait. It's my 2nd favorite opera, and this is as close to seeing it live as I'm going to get.

Rejection

H has been actively trying to get her paintings into galleries -- and today's mail brought two rejections. Two! She felt the pain. Well, I told her the story of getting SIX in the mail on the same day in the late 60s, rejections of short stories. I'll never forget it. I went inside, threw a tantrum, sat down at my Remington manual, pounded out a belligerent "artist's statement" and sent it out the same day to one of the literary magazines that had rejected me. They published it! And here it is, from 1971, Fragments Before the Fall, published in the (then) prestigious The Literary Review. A great memory -- I love defiance being rewarded.

Topsy-turvy normalcy

characterized either by mania or by depression or by alternating mania and depression
= manic-depressive

Sure describes a lot of writers I know, including myself. An immediate example: after good feedback from my agent, I rewrote the current splay in a week and zipped it back. Then nothing. Did he hate it so much he was hesitant to reply? Or just busy? Well, the latter, exhale exhale. Rec'd an apology note this morning for being late with it.

To think I go through this crap after half a century in the biz! It's cheering from the rooftops or hiding under the covers.

I expect it to be an improvement. It doesn't have to be ready but it has to be better. He says he'll get it done this weekend.

Long lost

T., my best pal in piano class, disappeared about a month or more ago. Ends up his brother died, he was back east, then depressed -- to make a long story short, he's moving back to a class in an earlier sequence. We had lunch today and caught up, and I'm glad to see he's back among the living. I like the guy a lot. He belongs to a group of "old men" who have breakfast together every Friday morning, and I may just take him up on an invitation to check it out.

Sunset Overture

I listened today to Robin Henderson's Sunset Overture for the first time in a long while. I wears very well. I still love it.

Mind-boggling program

I just watched a 20-min. video demonstrating the Band In A Box software music program, and I am stunned. I've been under a rock, I guess, because I had no idea this was out there. It can be an extraordinary learning tool and, in conjunction with Finale, can make original music richer and more flexible. It's an amazing program.

Brooding

I start shooting the hyperdrama on Sunday. I need a lot of prep time and I've begun brooding about how to shoot it. I need to shoot it the way I want to edit it, so that's my focus. I'm doing different things with the clips, editing them in different ways, so I'm thinking about the most efficient way to shoot it. All the scenes are short, thank the gods. The longest is less than two minutes. So I have time to shoot a lot of different ways. I'll start seriously looking at this on Saturday. I do exteriors and car scenes Sunday, too, so I may go scout locations to get a more exact sense of where to shoot on the road.

I had hoped to edit part 3 by now but I've been too busy. Maybe I can start it Saturday, too.

A fascinating woman

I didn't know squat about Samantha Power before she tripped. Now I'm impressed. If Obama becomes President, I'd like to see her in the cabinet. I like where her head's at.

clipped from seattlepi.nwsource.com Ex-Obama aide explains self after 'monster' mistake By JOHN MARSHALL P-I BOOK CRITIC Samantha Power admits she has "aged 25 years in the last week." Ever since she described presidential candidate Hillary Clinton as a "monster ... stooping to anything" in what she said was an "off-the-record" comment to a Scottish newspaper, the Harvard professor has been hot news on two continents. Power, a 37-year-old Pulitzer Prize winner, had been serving as Barack Obama's top foreign policy adviser, an unpaid position, for the past 14 months. But she immediately resigned from the Democratic candidate's staff and offered profuse apologies to Clinton and Obama about her intemperate comments. Only one U.S. official ever contacted Power to discuss her genocide book, a new senator from Illinois. Her long dinner with Barack Obama persuaded her to take a leave from Harvard and work in his Washington office. But the lesson of Sergio's life is: It's not a question of whether to engage but how to engage.

Banning plays

The recent banning of a school play in Sherwood has a long tradition. In the end, the banners usually come out looking like a fool, as here locally. But the Sherwood authorities won't quit. They confiscated the teacher/playwright's computer! Looking for other material to ban? I suspect a lawsuit is down the road and the teacher will take a nice vacation to an island somewhere.

clipped from www.todayinliterature.com "Nook-Shotten Norwegians" On this day in 1891, Henrik Ibsen's Ghosts premiered in London, an event so "controversial and epoch-making," says biographer Michael Meyer, that it is now regarded as "one of the most famous of theatrical occasions." Theater historians report that the scandal over this single performance elicited over 500 printed articles and made Ibsen "a household word even among those Englishmen who never went to the theatre or opened a book." Although published a decade earlier, and not the first volley in Ibsen's attempt to "torpedo the ark" of social propriety, the play had provided his critics with a lot of return ammunition. Because of its references to syphilis, free-love, incest and euthanasia, the play had been damned, constrained by censors, and shunned by most major and state theaters in Europe. It was regarded as too shameful to even have around the house in print

PSU v. Georgetown?

This is a sensible evaluation of the reality of PSU going to the Big Dance. It will be damn, damn tough to get past the first opponent. They'd need to play their best game and get a few breaks. All the same, it's great fun just to be there.

clipped from media.www.dailyvanguard.com Portland State Bracketology ESPN's NCAA Tournament expert Joe Lunardi shares his thoughts on the Vikings prospects for March Madness Lunardi believes a best-case scenario for the Vikings is a No. 14 seed, however, the bracket wizard still thinks the selection committee could place Portland State as a No. 15 seed. Fortunately for Portland State fans, Lunardi thinks it is highly improbable that Portland State could slip to a lowly No. 16 seed. The most recent version of Bracketology has the Vikings playing against Georgetown in the East Regional, with the first-round site Birmingham, Ala. While Lunardi said the selection committee would be inclined to keep Portland State in the West Regional, with first-round sites in either Anaheim or Denver, the top seeds are catered to when the brackets are created, and thus generally stay close to home. "I just don't think the Vikings will be able to defend the major conference opponent they figure to face in the first round," Lunardi said.

On to the Big Dance

Portland State goes to the Big Dance for the first time in school history. They weren't very impressive in doing it, however, and will have to play a hell of a lot better to avoid being kicked out quickly. They'll be a big underdog because of low seeding in any case. At their best, they could hang a while -- tonight they were not at their best but played well enough, especially on defense, to win.

But the big basketball news is Colorado State's women's team, 0-16 in conference, beating 16-0 Utah. Great stuff!

clipped from sports.yahoo.com Portland St. 67, Northern Arizona 51 clipped from sports.yahoo.com Colorado State shocks 12th-ranked Utah 60-52 in MWC quarterfinals LAS VEGAS (AP)—Emily Neal scored 17 points and Colorado State shocked 12th-ranked and top-seeded Utah 60-52 in the Mountain West Conference women’s quarterfinals Wednesday night. The ninth-seeded Rams (4-28) outmuscled and outhustled the heavily favored Utes (28-4), who went 16-0 in league play and had 22 consecutive wins. Colorado State was winless in conference play (0-16) and entered the tourney on a 20-game losing streak before beating UNLV in the play-in game Tuesday night, a prelude to one of the biggest upsets in college basketball this season.

My essay on Peter Fornara

Here is my essay, Risk in Rep, that will appear in the upcoming anthology, Citadel of the Spirit, edited by Matt Love (see below).

Ear training

This is quite a challenge. I got through the early exercises pretty easily but around exercise 15, I hit a stone wall: recognizing minor and major 2nds or 3rds played all over the keyboard, ascending, descending, harmonic. I'm best at ascending. I'm worst at harmonic. It's a great program, EarMaster Pro, that doesn't let you progress until you sufficiently pass the exercises and you have to repeat an exercise, it throws an entire new batch of questions at you so you can't remember from the last time. At this point, I can't imagine ever getting through this stuff but I am determined to stick with it, and we'll see what happens. I love the program -- even failing is almost fun. I'm up to 17 now, having to repeat it after getting only 60% last try.

"Men and their penises"

As my wife was leaving the house this morning, the news carried a story about the NY gov's resignation after being caught in the call girl sting. "Men and their penises," she grumbled.

I think this comment hits the heart of a gigantic cultural misunderstanding and problem. The gov's problem, and the serial killer's, and your next door neighbor's, is at root a failure of the imagination, just as Norman O. Brown has it in his classic and brilliant work, Love's Body. The disease is literalness. The gov's problem is not that he feels he must stick his dick into a woman, or whatever the hell he's up to (one never knows!); it is that he believes the only way to do this is literally to do it. He misses what Brown calls "the true war," the mental war, "the Fiery Chariot of his Contemplative Thought." In other words, he's playing out his frustrations on the wrong battlefield. This cultural addiction to literal events over imaginative events is everywhere (I recently blogged about the "true story" bias in Hollywood). The culture has lost its imagination, it's ability to experience real, true events imaginatively. Once you learn how to do this, of course, literal action not only is unnecessary but less satisfying. "Doing nothing, if properly understood, is the supreme action," writes Brown. In this frantic, noisy culture, nothing could sound more un-American.

Big game tonight

In the mailbox:

Portland State Vikings to Play for Championship; NCAA Berth

Portland State defeated Idaho State during the semifinal round of the Intel Big Sky Men's Basketball Championship last night at the Rose Garden Arena!

The Vikings are back in action tonight (3/12) at 6:00 pm (PST) at the Rose Garden for their chance to dance. Tonight's contest determines the tournament champion with the winner receiving an automatic berth to the NCAA Tournament.

Don't miss a minute of the action! Great seats are still available http://www.rosequarter.com or http://www.comcasttix.com or watch the game on ESPN2 at 6:00 pm TONIGHT!

GO VIKS!!

For being a little Div I program a few years ago, this is a pretty big deal here. If we make the Big Dance, the icing on the cake would be to upset someone. Surely we'll have such a low seed that the first game would have us an underdog.

Citadel of the Spirit

Here are the contents of the upcoming anthology to which I contributed an essay, "RISK IN REP: Remembering Peter Fornara’s Remarkable Theater Company." In addition to original essays, there are reprints of historical material. The book will come in at something like 600 pages. Quite an impressive anthology, I think, and I'm delighted to be included.

Citadel of the Spirit: A Literary Compendium Commemorating Oregon’s Sesquicentennial

Due out in Feb. 2009—Edited by Matt Love

List of writers contributing original essays:
Matt Love (introduction, epilogue, essay, editorial notes on previously published materials, epilogue) My essay is on Tom McCall Era
Monica Drake (gentrification)
Kassten Alonso (livability)
Kathleen Dean Moore (rain)
Charles Deemer (Portland theater in late 1970s)
David Horowitz (Runquist Brothers)
Evelyn Sharenov (9-11 in Oregon)
Cheryl Strayed (Oregon’s Strip club culture)
Bart King (Powells)
Michael Strelow (Wildflowers)
Joanna Rose (Paisely, Oregon)
Melissa Madenski (hatchery salmon)
Tom Webb (When Oregon turned into a Blue State)
Billy Hults (Mayor’s Ball)
Erin Ergenbright (Oregon food)
Gina Ochsner (Land use)
Brian Doyle (Beer)
Carla Perry (The War in Iraq Comes to Newport)
Dorthy Blackcrow Mack (St. Mary’s Peak)
Walt Curtis (Salmon on Clackamas River)
Katrine Barber (Camp Angel CO camp)
Thomas Edwards (WW 2 on the Oregon Coast)
Eckard Toy (KKK in Oregon)
Jeff Baker (Mac Court)
Joanna Miller (An update of Oregon official things)
David Milholland (The Steens Mts)
Ken Babbs (Ken Kesey)
Kim Stafford (Oregon’s first hippie, Glen Coffield)
Peter Wong (initiative and referendum process)
David Kohl (Portland Metropolitan Church)
David Hedges (Victory Over Development)
Kathy Pape (Weird marching bands in Portland)
Bobby Armstrong (Profile on Oregonian named Earl Snell)
Erick Mertz (baseball in Oregon)
Barbara Drake (Oregon’s Centennial)
Steve Anderson (rafting Clackamas River)
Haley Church (Motorcycling Columbia Gorge)
Brandon Lieberman (Satyricon rock club)
Kaia Sand (Vanport)
Shelly Washburne (Columbus Day Storm)
Alicia Williamson (marijuana)
Joe Kurmaske (Biking to Mt. Hood)
Amber Nortness (logging road culture)
Travis Champ (walking Mt. Neahkahnie)
Brianna Kent (a friend dying in Iraq)
Karl Love (coming to Oregon on train as a result of the Dust Bowl)
Ellen Waterson (Bend’s last mill)
Niki Price (coming to Oregon)
Bill Robbins (working in the woods)
Bill Rhoades (the sporting life in Oregon)
Shannon Carson (Moving from California to Oregon)