REFLECTIONS ON THE DESIGN OF A HYPERTHEATER: "
by Charles Deemer
I’ve written seven produced hyperdramas, and each has been performed in a real space, on what would be called “a location” instead of “a set.” But what if a theater company wanted to specialize in the productions of hyperdrama? Would they have to find and rent an appropriate location for each new work? What would the design of their performance space look like if they produced all their hyperdramas “in house”?"
Wednesday, April 14, 2010
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