Bob Hicks' usual fair and thoughtful commentary.
Deemer’s novel flips easily through flashbacks and current events, and it can hit lightly on some of its scenes, like a screenplay (and in fact, Deemer has taught screenwriting at PSU for several years). It also drops in frequently on CJ’s increasingly hopeless and cynical view of the state of the nation: he was, after all, a historian and a political activist. As offhand as these passages can seem, they’re a crucial part of the novel, both in defining its position in the culture and in reporting the core of CJ’s character.
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